It’s Not A Dream If You Believe (A Totally Amp’d Overview/Review)

It might be public knowledge that I am a Canadaphile, but that doesn’t mean it doesn’t ever bear repeating. I’m not just talking about liking certain bands or television shows that have gained release in America or Internationally though, a lot of people like the music of Neil Young, the acting of Michael J. Fox and David Cronenberg films. My love goes as far as not just Degrassi, but all Canadian teenage shows that have appeared on Disney, Teen Nick, The N, ABC Family, etc and more so the ones that only aired on Canadian Family, CBC and other Canadian Networks (and in cases the UK and Australia), but never made it to the US airwaves.

All this is to preface my excitement when I heard about the new iPhone/iPad app Totally Amp’d, a Canadian produced “web series” with similarities to shows such as Instant Star and 2Gether, both Canadian produced shows about discovering and promoting young talent. Produced by Smokebomb Entertainment, a Division of Shaftesbury, the show was created with Smokebomb’s three creative heads Jarrett Sherman, Daniel Dales and Jay Bennett who all have quality resumes. The program and app features music written by C.E.O. of Jingle Punks Music, Jared Gutstadt and features all kinds of genres, giving it a something for everyone feel in the sound department. On the writing team is Karen McCellan, previously of Being Erica and on three out of 10 episodes, Christin Simms who was a major part of Jimmy Two-Shoes, Clone High and Dino Dan.

What is most exciting about Totally Amp’d though is the amazing cast. The big pull on the series in terms of who they are marketing to mostly would be Cristine Prosperi. Cristine is currently a major player on Degrassi, coming in on season 11 as a new foil character attracted to the very popular Eli played the extremely popular Munro Chambers. Cristine gained a following immediately like most Degrassi cast members, but it is a deserving one as she is both gorgeous and talented. For the slightly older fan though there’s a major draw too in Ashley Leggat who became famous on “Life With Derek” which ran from 2005-2009, there she garnered a fan base in Canada and America and has made appearances in popular Shaftesbury shows such as Murdoch Mysteries and Aaron Stone, including an appearance on Cartoon Network’s Unnatural History. The third known commodity on the show is Demetrius Joyette, best known from the Canadian Teencom “Wingin’ It” which has unfortunately never aired in the U.S. Rounding out the cast are newcomers to television Amanda Thomson and Brock Morgan, as well the very experienced yet youngest member of the cast Camden Angelis (who has even done an episode of Scare Tactics). The show also features the talents of James A. Woods (no relation to the other actor of the same name) who has a expansive resume.

There are two other talents not in the initial marketing of the show to make note of.  Shemar Williams, a very popular and talented dancer who actually had a dancing training segment for kids on TV and Dewshane Williams who had major roles in Baxter and Being Erica.

All the promotional hype out of the way, how is the actual final product? Excellent. The songs are fantastic, actually the main shining light more than anything. The characters are awesome too. It should be noted that while there are 10 appisodes, each appisode isn’t more than 6 minutes each, creating an about one hour short film. It’s a perfect length for the iPhone though where this show is made to live. Although it also fits the new professionally made web series format.

What makes the app part special are the unlockable karaoke format songs, the editable music videos and the highly entertaining dress em up. There are seven songs that you can record your own vocals for and then input them into a remix which you can pick and choose the elements including original vocals, drums, guitars, bass and percussion. There are five videos which you can choose the angle shots to create your own version. Both the kraoke and video edtiors are simplistic in nature and would be exciting to have a more fleshed out ability, but this isn’t a music app or video app, it’s an all around concept in which on top of a full length professionally created show exclusive to the iPhone you get some really fun extras. Then there’s the design studio which is the bread and butter of the app segment, something app developer XMG has truly excelled at. It’s truly a total package at $5 for the full season (free to try and test with the first episode) and truly worth it.

I’m hoping for a second season and that with it hopefully a longer story and more expanded applications, but this first part of Totally Amp’d is highly recommended for anyone with an iOS device running 4.3 and above. For those without an iPhone, the album is also available on iTunes and the Youtube channel has a lot of great stuff.

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Nerd Notes for 02/08/2012

All long form essays & reviews are still perculating in their individual cauldrons, and will soon be ready for worldwide consumption.  In the mean time here’s some tender vittles or Nerd Notes.

– Former child actor Brian Bonsall has finally done a full re-emergence with his various music projects he’s been developing in Colorado the last few years.   It’s all really awesome pop-punk and each band sounds great.  Worth more than a listen, but a whole playthrough.

– One of my new favorite blogs is Gourmet Gaming as it combines a lot of my favorites, video games, recipes and food photography.  Brilliant project and with refinement it’d be a cool addition to something like G4 or in the very least Gametrailers.com as a vidcast.

– I haven’t personally bought or downloaded the iPhone/iPod Touch/iPad App David’s Diary, but an interactive book based on the works of David Sedaris in which he had first hand assistance in developing still calls to me to read and play.

– I don’t know how accurate How Secure Is My Password actually is, but it’s really fun to play with.

– Cartoonist Ward Sutton, well known to readers to of The Village Voice,  TV Guide and/or The Onion has been doing awesome comic book like reviews for Barnes N Noble for awhile now, but as it has really reached steam, I thought it’d best to mention Drawn To Read, especially when his Wikipedia doesn’t even.

BOY is the newest film by New Zealand’s Academy award nominated writer/director/actor Taikka Waititi and has already garnered many nominations and festival awards.  It’s coming to America soon and looks absolutely fantastic.

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Nerd Notes for 02/01/2012

Over at my Livejournal I used to take various links I found and collate them all into a collection that I called “Nerd Notes”.  These links could contain anything from videogames to wrestling to movie trailers to news articles.  I have decided that it was an excellent concept and am migrating it now for use at Pop-Culture Spectrum.  This is just the first up many to come and allow me to relay lots of information in short bursts instead of full fledged reviews or articles when something may warrant it, but would take up ample time before getting the product information out there.

VIDEO GAMES

AGS Bake Sale: A collection of fully cooked to perfection games built inside of AGS and bundled for charity, it is available for $1.50 or more based on your choice of donation to Child’s Play.  If you are familiar with the Humble Bundle this is very similar but allows you to play games that are completely exclusive to this pack.  I have played portions of 9 Months In, Red Volition, Indiana Rodent and Abner so far and they are all excellent and worth the price.

Nurse Quest: This free pixel based point and click adventure developed by Robot Lizard for Adult Swim Games is hilarious, crafty and well constructed.  It isn’t a time waster though, so be ready to sit down for a good half hour to hour to enjoy the hilarity.

Da New Guys: Back in 2004 Chris Burton put out an AGS game built around an imaginary wrestling federation and a team known as “Da New Guys”.  It was a critical success and Burton also made a short animated feature with the characters called “For The Winnings” in Blender.  Announcement came of a game sequel but they were continually delayed.  Finally in 2012, Morton teams up with Wadjet Eye Games for “Day Of The Jackass”.  A demo is available.

MUSIC

Sumo Cyco:  Canadian sweetheart and former pop rock darling Skye Sweetnam first became a totally different type of artist with her colloberation “Action” recorded with Tim Armstrong and the bulk of her album, Sound Soldier, but the project she began in 2009 has started to become fully unleashed with 4 very disturbing videos and a sound one would never think that the girl who sang “Billy S.” would lead a band that covered Oingo Boingo along with some really hard metalesque rock..

All-American Rejects first official single “Beekeeper’s Daughter” off the forthcoming studio album “Kids on The Street” is available on iTunes.  I’ll be waiting for the entire album myself and hope that the entire project is a worthy successor to the phenomenal When The World Comes Down

A Stream of Paul McCartney’s forthcoming Kisses On The Bottom, a collection of old standards covered in only the way Sir Paul could.

COMICS

Jon Adams excellent Truth Serum had a tenth anniversary and posted a new strip, guest pin-ups and a cool contest in celebration.

Finally a list of books I plan to read and review in the very near future:
Fun & Games + Hell & Gone by Duane Swierczynski
Snitch by Booker T. Mattison
WinterTown by Stephen Emond

I shall also being doing an over of all 22 issues of the Marvel comic Agents of Atlas + the Gorillia-Man miniseries written by Jeff Parker.

An overview of the new iPod/iPhone/iPad App and web series Totally Amp’ed is also planned.

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Animated Shorts of the 84th Academy Awards (and more)

My concentration on the Oscars each year is focused in one section primarily, the animated shorts. While I tend to only concern myself with the five nominated features I have in the past also made an effort to check out the short listed films as well, sometimes the best film isn’t exactly the ones that got nominated. That is not the case this year, but all of the short listed films that did receive a nomination this year deserve notice and recognition.

This category has been a part of the Academy since the fifth incarnation of the awards ceremony, but for many of those years the field was dominated by Walt Disney, Warner Bros. and MGM. In the 60’s a change began as foreign works began to be nominated as well smaller productions. In 1974 when the award officially became Short Films (Animated Films), known before as Short Subjects (Cartoons) it also took a special change as that year Will Vinton won with the very psychedelic Closed Mondays that he animated with Bob Gardiner. It was not the first time an unusual or abstract toon had won the award, in 1965, a very simplistic The Dot and The Line took home the award and two years prior the similar in animation style The Critic and even going back to 1959’s Moonbird, an abstraction of style based on a radio recording. The win of Will Vinton though would usher in a whole new field to award, which would embrace all kinds of animation. Pixar’s second film Luxo Jr. was also its first nominated and its fourth Tin Toy was its first win in 1988, its 5th and 6th shorts would also win in 1997 and 2000. Amazingly they have not won the award since, but have had a short up for nomination in every year they produced one theatrically since, except for 2009 when Partly Cloudy got nodded out. That push outprobably came from the nomination of  the most  recent at the time Wallace & Gromit short b y Nick Park, 3 time winner of this award with 2 other nominations.

Throughout 2000-2010 there has been everything in the nominations from CGI to traditional animation. Claymation, conceptual, new technology, it has run the gamut and from every conceivable country. Before breaking into this year’s nominees for the 84th Ceremony I’ll be quickly listing some of my personal favorites, with some information and links to a trailer, official website or the ability to see the cartoon yourself (in some cases all). These have been either winners or nominees and nothing unlisted is meant as a snub. These are just my personal aesthetics.

Previous favorites
The Mysterious Geographic Explorations of Jasper Morello: Presented to be the first chapter to a long reaching four episode arc that would also include a feature film, the project has seemed to stop at this short. A combination of hi definition vehicles & backgrounds and shadow style minimalist animation with stark design & flourish combined with amazing story telling made it quite a joy. There is a DVD version available with many extras, but fortunately there is also a lower quality edition available for viewing on Youtube.

OKTAPODI: A production out of Gobelins L’Ecole de L’Image, this a simple love story about two octopus or possibly squids done in CGI that was one of the most heartwarming things I’ve ever seen and to know it was was developed by people who at the time were still “students”  amazes me.

Strange Invaders: Cordell Barker is easily one of the funniest animators to ever create. A two time academy award winner, first in 1988 with The Cat Came Back and again with this, there is something quite infectious about his work. It is a very gruff art style indeed, but undeniable in its quality.

Granny Ogrimm’s Sleeping Beauty: Based on the comedy of Irish stand-up Kathleen O’Rourke who voiced the titular character, this maniacally hilarious short is simple and sweet… well not sweet exactly and comb. It combined CGI with a storybook like flat animation for an amazing look.

Logorama: One of the most intriguing pieces to not only be nominated but win this award, the incorporation of quality music and story is what makes what could be what a design student made as a thesis into high quality art created by a masterful studio.

The Lost Thing: Last year’s winner shows what can truly be achieved with the short film animation format, narrated by comedy musician Tim Minchin it tells a fairly “large” story adapting a children’s book that is not so simple.

Short Listed for 2011/84 Academy Awards
Cul de Bouteille: This magical adventure uses traditional animation with a very sketch-like style to tell a fantastic little tale. It is a darling French toon and worth seeing if you find it.

Paths of Hate: Looking almost like a Motion Comic and/or Animatic this very charged action short shows how violent and atrocious war can truly be.

Magic Piano: This short was developed by the team behind award winning Peter & The Wolf as a commission to Chopin’s birthday and was used for the The Flying Machine, a feature film which the team worked on as well, staring Heather Graham. As the film is more a collection of shorts combined into a feature to display famed pianist Ling Ling performing Chopin I don’t think it’ll make it to America outside of arthouses and maybe a DVD, but one can hope. Although as the short didn’t make final nominees possibly not.

Lumaris: This is a very different kind of animation. I didn’t get to see the entire thing , but it is very intriguing in its style, although I feel it belongs more in Live Action even if it is a type of animation, using real photographs of humans for stop motion is an original way to create.

I Tawt I Taw Puddy Tat: A new high quality CGI animation over Mel Blac’s 1950 recording of the hilarious composition. One is planned for Daffy’s Rhapsody as well, although who knows with not getting an Oscar nod here. I have to assume shortlisting is enough merit to continue a project for a major studio.

Nominated for the 2011 Academy Award for Short Films (Animated)
Daminche/Sunday: Simply animated with nothing but grunts this feels like a vaudevillian silent film. A very small story about an average Sunday that turns out to be nothing but ordinary for one young man. Animator Patrick Doyon previously worked on the program Station X and has a background in illustration.

Fantastic Flying Books of Morris Lessmore: The first work from acclaimed storyteller and academy award winner William Joyce’s new production company Moonbot Studios is an amazing piece of animation, and equally as a film itself. Mesmerizing in tone, scope and concept, it is easily my personal favorite of the category that I have been able to see in full. The entire making of is really worth seeing as well.

A Morning Stroll: I haven’t been able to see this one, just a very short trailer and some screen shots, but it looks impressive and a combines all the talents of director Grant Orchard with minimalism, illustration and CGI.

Wild Life: This painted style animation tells the story of a young British early 1900’s America Canada. It was directed and animated by Amanda Forbus & Wendy Tilby who have previously been nominated for the award.

Pixar’s La Luna: The one that most won’t see till it officially premieres with BRAVE, but did show at some theatre in 2011 to be submitted for nomination. I am excited for this one as it was designed and directed by Enrico Casarosa, whom I became a fan of through his comics work published in FLIGHT. I’d only hope for La Luna to win so that folks like Enrico can make more shorts and possibly Scott Morse will be able to do an original short of his own conception as well.

Interesting side note: Two of the nominated shorts feature a Pork pie hat and in one the hat is an important player like in old silent films (mostly because the lead character is based on Buster Keaton).

POSTSCRIPT:

In 1996 all four of the nominated films were of extremely different conceptual styles and innovations in animation in abstract, claymation and CGI.

They were as follows:


Quest: A very abstract puppetry, written and produced by Thomas Stelbach and directed by Tyron Montgomery. Stelback now works in commercial films throughout Germany and Montgomery works in visual effects.

CanHead: Stop motion animation by Tim Hittle which at the time used innovative new techniques in filiming and developing. He is currently an animator at Pixar.

La Salla: A computer generated animation by Richard Condie, it was the long time traditional abstract comedian’s first CGI toon.

Wat’s Pig: Claymation by Peter Lord, the co-founder of Aardman, home to Nick Park’s works. There is a high quality built for full screen viewing available on iTunes.

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Law & Order’s Legacy Continues in Interactive Format

I was twelve years old when Law & Order began its long run on NBC. The show didn’t really hit its stride till the late great Jerry Orbach joined the cast in the second season along with S. Epatha Merkeson in my personal opinion and truly didn’t reach excellence till Sam Waterson joined as Jack McCoy. All that can be easily argued, but suffice it to say I’ve been a fan since day one. Criminal Intent was quickly my favorite show because of the awesomeness of D’Onofrio’s Goren and Kathryn Erbe’s Eames, but SVU always held my interest through and might actually top CI as a favorite with Meloni’s Stabler, Hartigay’s Benson and Wong’s Dr. Huang. Through the new shows though I still always loved the original and it’s various pairings. Logan was the original guy, but once teamed with Brisco he just reached levels of awesomeness and anyone who teamed with Lennie was automatically awesome, especially Rey Curtis. The way they wrote Benjamin Bratt’s character out was tragic, but the return to who he was in 2009 was just as tragic and never had any followup.

All this build up brings us to be able to discuss the new Telltale game for iOS and eventually PC, Law & Order: Legacies. Written and developed by Ryan Kaufman with production from Dave Felton, the game attempts to actually create in many a season of Law and Order that could’ve made it to the airwaves, alongside the fantasy of stories never told. It’s definitely a professional approved fan fiction, but it’s a well done one with creativity and an attempt at as much accuracy as possibly allowed by the production’s budget and limits. I found it interesting that Arie Kaplan who worked on the HOUSE M.D. games and is an accomplished journalist worked on Episode 2.

Unlike Telltale’s Back To The Future which featured the talents of original BTTF stars Christopher Lloyd, and Claudia Wells, the Law & Order game were not able to procure talent such as Benjamin Bratt, S. Epatha Merkeson, or Linus Roach among others such as obviously the dearly departed Jerry Orbach. Yet despite this, between quality voice acting and top notch art, the original actors are surely missed, but do not result in causing a distraction. Among the talent are voice over actress Cissy Jones, poet/musician Kid Beyond who has worked for Telltale previously, musician/voice actress Rashida Clendening, and many of the people who have worked with Telltale on other productions. The one voice they were able to retain was Steve Zirnkilton, the Voice of Law & Order, as well as that pretty critical Mike Post composition.

In playing this I had really wanted to replay the Vivendi/Legacy Law & Order games which had the use of the real actors, but as I remembered featured mail it in performances as well as writing and tons of bugs, yet, I wanted to try and do a track record of these type of games, as well as comparing them to Telltale’s CSI games. Yet in terms of style, content and conception, Legacies is its own entity based much more in paying attention to clues and having a good eye, while the previous games were based more in choosing the right random dialogue tree and beating annoying minigames like tile, match and also match and sometimes peck and hunt.

While I’ve only gotten to play the first two episodes, I wanted to reflect on the plot as there was a real attempt here to create something original here. The game in the first episode seems to take place shortly after season 12 and before Season 13. Detective Rey Curtis after a few years since his wife’s passing in 2009 and moving back to NYC is prompted by his daughters to return to the force instead of moping around. He someone gets automatically put back on the 27th Precinct run by Lt. Van Buren where he and Lennie Briscoe partnered. His first case in which he hasn’t been given a partner is a murder which also turns up rape evidence, Detective Benson from the 16th is called up to join the investigation as her partner is “on leave”, which is probably Benson not wanting to accept that Elliot actually quit, that is the only thing that makes sense unless Ryan Kaufman messed up his L&O timelines . That now gives us the Legacy of two major L & O characters becoming temporary partners on a major case, which once the suspect was revealed probably should’ve been turned over to Goren and Eames, but that’s splitting hairs. That case takes a quick left turn during trial and it is up to Michael Cutter and Abby Carmichael to clean up the mess. This must be before Cutter ends up as the new Bureau Chief of ADAs who work on SVU cases. A sidenote in the story reveals a connection between this case and a cold case Briscoe and Curtis worked on years ago.

In chapter two we are sometime between 1995 and 1999, probably closer to 99 based on the statement that the cold case took place 10 years ago from the first episode’s story, although for the time line to work it had to be at least 11-12 years ago, but one can say I’m nitpicking. This is an untold case of Briscoe and Curtis looking into the possible murder of a young father who died steps from his door step. The investigation follows all logical steps and Jack McCoy and Abby Carmichael have to use everything they can to convict in a case that isn’t not exactly as clear cut as one would hope. During the episode we discover a little more information on the Cold Case mentioned in Episode one and that it wasn’t just cold but closed, and that Lennie had been working on it on his own time. I spoil this information here so that fans and potential gameplayers who have yet to try the game out are aware there is an over arching storyline which seems to promise that while each episode is playable on its own, the full purchase will be definitely worth it.

Plot out of the way a very quick discussion of gameplay. So far the game is broken into two sections much like the TV show. We open with an investigation which includes listening to answers, hearing stories and a bit of a “find the item” type of minigame which actually has some thought put into it and allows for some cool looking backgrounds. The questions section will ask at certain points if you believe someone or feel you’ve caught them in a lie or that information provided was accurate and if you answer that correctly, a multiple choice will ask you the why of the answer. These mulptiple choices can be tricky as they can be worded incorrectly. Getting an answer wrong won’t end your game, but it may lead to a different result when it comes to the trial. Once all investigations are done, you go into court room mode. Here when interviewing a witness on the stand it is much like the interview investigations, but the twist comes in the properly placing objections and doubt when the defense is up at bat. There is also a closing arguments segment where you must properly choose what subjects to bring up. There are chances of losing, winning by jury or even offering a plea bargain which allows multiple gameplays just to see those scenes play out.

While I have not yet played the just released episode 3 which introduces Detective Logan to the story as returning to the force after quitting Major Case, trying out the real world and deciding he had to be a homicide detective, I definitely look forward to it and seeing where else the game and story go. Maybe with four episodes to go we might even get appearances from Lupo or Munch. Since this game was supposed to originally be a Law & Order: L.A. game there’s a chance will get a cameo from Connie Rubierosa who has decided that California just wasn’t doing it for her. Either way Telltale has shown that they can handle telling original stories, with gameplay that should be acceptable for all levels of gameplayers from the beginners to the veterans and a plotline that should be satisfying to all levels of fans of Law & Order as well.

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FAVORITE CONSOLE GAMES of 2011

Back to the Future-The Game: With Bob Gale along as a supervisor, Mike Stemmle and Andy Hartzell, a fourth Back to the Future movie was realized. One just needs to completely ignore most of Back to the Future: The cartoon to enjoy it. It’s a very easy game, making it much more an interactive story than an adventure game, but that seems to be what TellTale is going for these days based on Law & Order: Legacies which is really well done, but very easy. What makes BTTF: The Game so special of course is Christopher Lloyd. His inclusion on voicing Doc takes this from a fun detour into a real project worthy of favorite.

Catherine: This Japanese Tetris like game has a lot going for it. While the majority of the gameplay is simply a hardcore variation on Tetris, Bejeweld, etc. it has an overlapping story with adventure game elements holding it together. Combined with absolutely stunning anime sequences produced by Studio 4°C (who incidentally did the anime sequences for one of my favorite games of all time Rogue Galaxy) and soundtrack of classical tunes remixed by Shoji Meguro, it is an amazing entry into video gaming and a game changer of what is capable in terms of basic being innovated.

Fight Night Champion: I have gotten to play the Champion mode of this game (by choice), but as a compelling original boxing tale with awesome combat controls it was one of the best experiences I have had with a video game. As a movie with interactive elements its actually on top as that, with a great script from Oscar nominated Will Rokos, good voice acting including video game veteran and popular actress Elisha Dushko, really quality realistic animation and the fact that’s its based in boxing really gives it an edge and I can see myself coming back to it even in years to come.

Infamous 2: Between Uncharted 3, Assassin’s Creed: Revelations and Skyrim it seems like the second chapter of Sucker Punch’s two games in one super hero saga has been forgotten. In the second game we get an even more realized and cooler world in a New Orleans-esque town. Cooler enemies with the zombie vampire like swamp creature horde and a more intriguing story with continuations of the first game but giving us now two protagonists, two sides to choose from and your special sidekick. Infamous 2 was everything Infamous was and more. Throwing in the ability to create your own levels or play user created levels, a first for a third person action adventure game on a console where the developer actually approved and helps distribute the mods, it was a gem among the horde.

L.A. Noire: The story in L.A. Noire and the acting is top notch, as is the clue gathering, the conversations. It’s a great conceptual answer to an interactive version of a 1940’s cop film with as much accuracy as allowed, with some intriguing twists of inaccuracy, because really… a fully realized game would probably be boring. The characters are fully realized, not just by the performances that the technology developed for the game allows, but by the actual writing itself. Alongside Quantic Dream’s David Cage, I see former Team Bondi’s Brendan McNamara one of those videogame writer/director’s who will create very few, but very powerful, interesting, critically popular games full of strong script, concept and final product. L.A. Noire was the Heavy Rain of 2011 and more people got to play it, since Heavy Rain was a PS3 exclusive and still is.

Yakuza 4: The latest iteration of the Yakuza series before they went “Kill Zombies” in the next game lost some of its flavor by telling four different stories from four different characters instead of just focusing on The Dragon, but it gained another flavor and various techniques of intrigue. Four characters means four fighting styles, four different personalities and four different side missions. Some of them are huge side missions which I have to believe you can work on when you beat the whole thing, because I have not got that far yet. This is a huge epic game with more options of things to even more so than Yakuza 3. Training fighters, bowling tournaments, parkour challenges, fishing, more food to learn about, more drinks to discover, fishing, bating cages with better technique, and just so much more, more, more.

BONUS iOS

Jetpack Joyride: Hardcore addicting and adorable, the most recent Barry Steakfries game which is probably a prequel has no ending, you just keep playing, then you die and you try again. I don’t think there’s an end at least. Maybe there’s a way you can reach the super end if you unlock everything and spend extra money to get coins… I don’t know. I do know it’s super addictive and really fun. It’s currently still free so if you an iPhone or iPad I’d go grab it.

Where’s My Water?: Disney Mobile’s first original game and the game that actually beat out Angry Birds for top selling iTunes App Store game may be considered a cheap choice especially with my console favorite choices, but in terms of iOS games compared to video games, sales do generally mean quality and proof of concept. Some of my favortie games of all time in all history were definitely not the best selling, or even critically best, but they are my favorites. Swampy is adorable, he’s so adorable he’s getting an original web series in a couple days.

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Cloak & Dagger (a further review of Sherlock Holmes: A Game of Shadows)

My favorite part of Sherlock Holmes: A Book of Shadows involved a flip book. My second favorite scene involved nudity. My third favorite scene involved tons of explosions and some truly fine editing and cinematography.

I’m not sure who the flipbook was made by, but I’m guessing in terms of concept it must;ve been Guy Ritchie or The Mulroney’s idea.

In terms of that film work though, one can Philippe Rousselot, a french photographer/cinematographer who has worked since the 1970s, has won an Oscar, various BAFTA’s and even directed the Cannes’ Palme D’Or nominated Serpent’s Kiss. He also filmed the first Guy Ritchie Sherlock Holmes.

I can’t really discuss the nudity without giving something away. Some will hate it, others will applaud, some will find it out of character, others will be able to make the argument that it is in character. I mean there are arguments that can easily be made on both sides for the entirety of Guy Ritchie’s version of Sherlock Holmes. Arthur Conan Doye’s writing style was always designed to be open for interpreation. Although the ones who argue that it isn’t, obviously don’t even understand what the hell they’re talking about and I’d be willing to go fisticuffs with any fool who thinks otherwise. Oh and I can assure you I know how to win, but I can’t say how they’ll lose. It could be many ways, broken nose, shattered shoulder, broken solar plexus.

Off my proverbial high horse I truly enjoyed Sherlock Holmes: A Game of Shadows, equally as I enjoyed the first film, the Mulroney’s wrote a fine script which based on credits wasn’t doctored. I’ll be buying this one on bluray and probably will watch it anytime it shows up on HBO like I do with the first. Is it a high class film? No, it’s a perfect “popcorn” flick but with a tinge of intelligence so as to make it above the cut.

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Favorite Movies of 2011

Rango: Gore Verbinkski’s animated western affair was a total delight to the eyes. Accompanied by an amazing soundtrack and perfectly well done jokes, I loved every moment of it. I was sorely disappointed when the blu-ray came out without the one component I felt it surely needed though. The film was made by having the actors actually perform the entire film on a soundstage as if it were play. Snippets of this were seen in the trailers and I was really hoping to see the entire version of this, but alas. So as much as I loved RANGO, that hurt it’s long term love for me. It’s an awesome film though.

Take Me Home Tonight: I was not expecting to enjoy this. After the debacle of other films that tried to recapture that 80’s spirit or the concept of the insane night of partying, I never thought there was a chance I could like this. Yet it came on to HBO and I quickly got entranced by Topher Grace. On That 70’s Show he was probably my least favorite, but he’s evolved a bit and he has a strange mix of Jason Bateman and Michael J. Fox in him. Anna Faris didn’t hurt here either and having Demetri Martin, Bob Odenkirk and Michael Ian Black in important cameo roles really helped.

Hobo With A Shotgun: Holy hell was this a sick freaking film. It was way better than it ever deserved to be, one can of course thank the cast for that, because the film itself actually isn’t really good. The gore effects are fun and the violence is excellent, but the writing is garbage, the oversaturated film stock effect and scratches to make it “grindhouse” worked against it visually and the nudity was really luke warm. Rutger Hauer, Trailer Park Boy’s Robb Wells and Rookie Blue’s Gregory Smith really help bring it from waste of film to worthwhile fun viewing.

Hanna: This flick just blew me away and I had hyped myself up huge for it too. I got to hear Saoirse Ronan, Eric Bana and Joe Wright talk about the film, the intense training and the setup of film making at the New York Comic Con in 2010 and everything really geared me up for it. I was not disappointed in the least. It is not a perfect film by any means, but it is amazingly shot, Saoirse is a joy to behold and there are elements that just make it an infinitely a watchable flick that I can see myself returning to over and over.

Beginners: Quite possibly my favorite film of the year. I recently watched it again and I loved it all over again, reassuring my previous feelings and thoughts. It actually jumped ahead of its previous spot in this rewatch. Melanie Laurent and Christopher Plummer truly deserve Oscar nominations for this film. Mike Mills is a horrible artist, but he is an amazing story teller and film maker. Listening to the commentary track and hearing him point out things that definitely made the film better but that even my trained eye missed because I was too attached and pulled into the narrative turned the film into not just a heartwarming tale, but a real mastery of cinema for me.

Captain America: If anything has come close to really being a quality live action adaptation of a comic book, it has to be the Markus & McFeely written, Joe Johnston directed The First Avenger. It hit all the right notes of feeling like a comic book literally translated from the page to the screen. I of course am not trying to discount Sin City here, that is a remarkable film but that fells more like recreation than adaptation in my mind. This film borrows from the comics without actually fully just recreating them as live action sequences. Plenty of quality inside jokes, awesome action, conceptual changes that fit the Marvel Movie universe better and not that he’d ever get acknowledged but Hugo Weaving deserves an Academy nomination.

Hugo: One of the most stunningly visual films in years, Martin pours every inch of himself on to the screen. You can tell he loves Méliès as much as Brian Selznick, if not more so. John Logan did almost a pitch perfect script adaptation of the book which Martin painstakingly tried to envision on screen. He made the decision to use Brian’s art as full inspiration for the look and feel of the film and it showed through every sequence. It was filmed in 3D, although this was not necessary to make an a good film, it ended up allowed for effects 2D imagery would not allow, such as seeing an eye through a clock, the inside of the clock and at the same time what the flock sees… the intricacies of the new 3D technology which also allows for hologram like effects was amazing on the big screen. I am actually worried how this one will translate/did translate to 2D. I’ll discover when it comes to dvd/blu ray since I don’t own a 3D TV and won’t for a long time. The performances in this are fabulous as well, Ben Kingsley dazzles, but Chloe Grace Moretz and the young Asa Butterfield are the the film and rightfully so.

The Muppets: I went in with trepidation and not all my fears were uncured, there are a hell of a lot of flaws in this film. Flaws that one could say “It’s a ‘Muppet’ movie, why are you trying tear it apart?” but I’d return with “It’s also a Jason Segel script, who is an intelligent writer and works on one of the most continuity driven shows on television, he should know better, but I do realize Bobbin and Thomas might’ve been the derailers (sic)”. So it’s really not a perfect film, but it is Muppets and Whitmire and Goelz really tried to keep the magic alive. Also, “Muppet of a Man” is one killer freaking song. The actual episode of The Muppet Show Special in the film is quite special as well.

Sherlock Holmes – A Game of Shadows: I utterly adored the first Guy Ritchie version of Holmes. Every element of it. The acting, the story telling, the cinematography, the action, the music, the set design, the costumes. In Game of Shadows, the only factor that goes in a much different design and direction is story telling, but it’s applicable to the story they are telling. This movie is less about an actual mystery and sleuthing, but about about precognition, notice, strategy and fore thought. While the first film showed the Holmes that would inspire a Gregory House or Adrian Monk who breaks down the mystery as he goes along or ties it all together at the end, this time we see the side of him that inspired characters like Sean Spencer and Patrick Jane who see the plot as it unfolds and is always one step ahead of the villain. I’ve already written another review of the film which explores it differently and expands why I loved it, but I felt here I’d speak from another point of view.

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Console Games scheduled for 2012 that catch my attention

Be aware that I like puzzle games, adventure games and third person action adventure games with platforming.

I Am Alive: An Ubisoft productiion, the trailer shows an awesome combination of platforming, third person action, puzzles, first person shooting and more. Currently scheduled for XBLA and PSN. The game looks a bit big for digital release, but maybe that’s a good thing.

Hitman-Absolution: After watching a nail biting gameplay sequence on the official website showing awesome stealth, timing and shooting mechanics I am totally sold on the first ever PS3 Hitman.

Devil May Cry: As developer Ninja Theory will not be doing a sequel to Enslaved, seeing their work continued in some fashion in a fascinating looking game is what I’ll settle for. I have no connection to the DMC games, so a reboot is right up my alley.

Papo & Yo : Another digital only, this time PSN only, has amazing art and gameplay with seems puzzles meet third person adventure.

Tomb Raider: No gameplay has shown up for the reboot, but I trust in the company to create another excellent game full of everything I like.

Max Payne 3: I’ve been a fan since day 1, got Payne on XBox and PC and Payne 2 on PC. Got to see what they’re doing with Payne 3 at New York Comic Con and I was sold.

The Last of Us: Sure no gameplay yet, but it’s Naughty Dog and it has a great cast. Also from what I understand one of the main guys who worked on Enslaved spearheaded this.

A.M.Y.: Sure it’s ANOTHER zombie survival horror game, but it’s a PSN title and it’s made by the man who gave us Flashback all those years ago.

Inversion: Third person shooter with physics tricks and gameplay? Yes please and thank you.

Neverdead: Ever since the first gameplay of this I was on board. You’re body can fall apart and then you find it and as you gather a body part you can keep fighting and you can just keep getting your arm or leg ripped off and just grab it again but shoot with the other arm? Plus the story trailer was hilarious!

Lollipop Chainsaw: Hot chick, super awesome graphics, extreme violence, 3rd person action and Suda51? Ok!

Journey: thatgamecompany has not disappointed. Cloud, flOw and Flower were three very different but amazing games and I look forward to seeing what they’re latest which has had a much longer development time can bring.

Testament of Sherlock Holmes: Frogwares has been doing Sherlock games for the PC for a long time now, with interesting and original stories in the Holmes tradition including having him go against Jack the Ripper and Arsène Lupin. This will be the fifth game in the series and the first to be designed with PS3 and XBox in mind. They upgraded their gengine from scratch and look to have retained/returned to their more popular third person camera with first person probably now being the optional camera view. I’ve actually gotten to enjoy these games and feel they have a good handle on the character. While all renditions of Holmes have their incencretities, these are some of the funnest next to the BBC modern show and the Guy Ritchie films.

Silent Hill-Downpour: Traditionally the Silent Hill games have caused me frustration more than anything, but the latest version is from a brand new developer and is just using the premise of the Silent Hill ghost town to tell another survival horror action adventure. With IDW editor and Silent Hill comics writer Tom Waltz on story duties and music from Dan Licht.

Binary Domain: An action shooter from the producer of the Yakuza games and the producer of Vanquish? There seems to be some innovative squad based actions as well, yet still all in single player third person mode… so basically like elements from the Mass Effect games, but with a different fundamental. The videos for this look awesome.

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Tributes to the Fallen 2011 Collected Post

As promised in Part 1 here is a post quickly linking you to each section so you can easily find them till well the next time I create an entry which should be soon.

Part 1 (Comic Books and Artists)

Part 2 (Wrestlers, MMA, Boxing)

Part 3 (Musicians)

Part 4 (Video Games, Authors, Personalities)

Part 5 (Actors, Directors, Composers, Crew)

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