Cloak & Dagger (a further review of Sherlock Holmes: A Game of Shadows)

My favorite part of Sherlock Holmes: A Book of Shadows involved a flip book. My second favorite scene involved nudity. My third favorite scene involved tons of explosions and some truly fine editing and cinematography.

I’m not sure who the flipbook was made by, but I’m guessing in terms of concept it must;ve been Guy Ritchie or The Mulroney’s idea.

In terms of that film work though, one can Philippe Rousselot, a french photographer/cinematographer who has worked since the 1970s, has won an Oscar, various BAFTA’s and even directed the Cannes’ Palme D’Or nominated Serpent’s Kiss. He also filmed the first Guy Ritchie Sherlock Holmes.

I can’t really discuss the nudity without giving something away. Some will hate it, others will applaud, some will find it out of character, others will be able to make the argument that it is in character. I mean there are arguments that can easily be made on both sides for the entirety of Guy Ritchie’s version of Sherlock Holmes. Arthur Conan Doye’s writing style was always designed to be open for interpreation. Although the ones who argue that it isn’t, obviously don’t even understand what the hell they’re talking about and I’d be willing to go fisticuffs with any fool who thinks otherwise. Oh and I can assure you I know how to win, but I can’t say how they’ll lose. It could be many ways, broken nose, shattered shoulder, broken solar plexus.

Off my proverbial high horse I truly enjoyed Sherlock Holmes: A Game of Shadows, equally as I enjoyed the first film, the Mulroney’s wrote a fine script which based on credits wasn’t doctored. I’ll be buying this one on bluray and probably will watch it anytime it shows up on HBO like I do with the first. Is it a high class film? No, it’s a perfect “popcorn” flick but with a tinge of intelligence so as to make it above the cut.

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