MoCCA Fest 2012: Pre-Show Acknowledgments! (now with more stuff!)

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above image created by Rick Parker

The 10th Annual MoCCA Fest is coming up this coming weekend April 28-29th, located for the fourth year at the 69th Regiment Armory on Lexington Avenue between 25th and 26th Street on the island of Manhattan in New York City. I have attended the fair since 2002, and actually before that when it became a conception when the 2011 Small Press Expo in Maryland was canceled.

Every year it has provided me with a great chance to catch up with friends, discover new comics, hear amazing stories, get awesome original sketches, and feel like a part of history as through its panels it preserves the history of comics just as the museum does, while creating a new history by embracing the next line of comics through the fair which features many times students, independent comics artists who expand the pantheon and artists from around the world including Norway, France and this year as you’ll see below a cadre from Australia.  By being located in a central location not far from Madison Square Park and tons of awesome restaurants and with exhibitors who sell as many prints, t-shirts, pins, stickers, and even plushes as they do comics, there’s actually something for everyone!

For this year’s fest I’ve decided to do a pre-fest look at things that have been announced as debuting or being specially promoted for the event. That list is quite long, but I’ve chosen a selection that I feel gives you a good guide of NOT MISS items while divulging in the very large and expansive show, which includes excellent panels as well.

Hans Rickheit will be officially debuting his newest graphic novel Folly: The Consequences of Indiscretion

The absolutely stunning NOMADS – An Anthology will be available. It’s 40 pages of full color and seven amazing artists.

Tara and Paul Abbamondi bring their newest, a 40+ page collaboration titled The Stolen Lovelight

One of the most exciting things has to be what is being called Caravan of Comics. 12 artists from Australia will be traveling across America hitting various conventions and shops. Their first convention will MoCCA Fest. Among the talented group are David Blumenstein, who will bringing the two collections of his comic Showman? The Adventures of Brett Braddock, Pat Grant debuting the American edition of his comic BLUE through Top Shelf, Matt Taylor will be on hand with his comic Lars the Last Viking Goes to the End of The World, Jen Breach should have two comics with her, one drawn by Doug Holgate called Clementine Hetherington and the other drawn by Jase Harper called Humans Are The Weirdest. They’ll be lots of more, but those are some highlights.

The female collective of Coffee Spoon Comics will have a new collection available and I’m sure as many copies they have left of their individual minis as well. The collection will be a music issue and this great short is one of the stories.

Lawrence Gullo, best known for Baritarian Boy, should have a newest book called My Surgery available.

789 Studio’s Rain: A Collection, which received its backing and support through Kickstarter will be making its official debut at the show.

Dave Shabet will be there with the collected edition of his comic Dead Winter and who knows what else.

Sean Ford will be debuting his book Only Skin published by Secret Acres.

Alexandra Beguez and Kim Ku are sharing a table and they have a fascinating assortment of mini comics and prints.

Thomas Baehr will have his newest POLE-The Comic Strip with Penguins collection Make Guano Not War.

The Adventuring Comapny will be there with with the recently released Very Near Mint Vol.2 and more.

Nate Bear does a lot of stuff including mini comics, but one of the cool things he has is this new I Scream Truck print that I’m sure will be at MoCCA Fest. Do not miss this table, his work is great.Anthony Pugh, the artist aka LogikOne will have a self-published book on hand. As a long time fan of his works I’m excited by this.

Juan Nunez will have the first issue of his mini-series Cabeza available.

Holly Foltz will have issues 1-3 of her comic Unpleasant People at her table.

Lesser Key Studios will have their stunning Ianuae available, as well as stickers and buttons.

Tom Hart’s Retrofit comic Daddy Lightning will make its debut.

Trip City which features work from Dean Haspiel, Jennifer Hayden, Dan Goldman, Seth Kushner, Nick Abadzis and many more will be offering the Trip City Visitor’s Guide.
Pat Lewis is going to have an anthology of comic stories about television called Our Broadcast Day. This should be worth it for the “Mad Men” story by Alex Robinson on its own.

Fantagraphics are bringing a cadre of books in limited supplies as debuts, many of them not officially coming out to stores for months!

All this doesn’t mention many folks who I am excited to see who haven’t announced what they’ll have at the fest, sometimes bringing complete surprises or not wanting to a reveal and then have something go wrong. Do yourself a favor and check out the list of of exhibitors.

 

 

 

On top of the exhibit/merchandise/fest room there’s also the panels which are always exciting. You see the whole schedule at the MoccAFest site, but here’s a few selections of interest.
SATURDAY
either in ROOM A or B (check the schedule for updates and during the convention)2:15 P.M. Gary Panter receives the Klein Award, presentation by Bill Kartalopoulos
3:15 P.M. Comics creator Hans Rickheit in conversation with
4:15 P.M. “Harvey Pekar’s Final Projects”: Jeff Newelt (editor of The Pekar Project) and artists Joseph Remnant (Cleveland) , Rick Parker, Sean Pryor, Dean Haspiel (The Quitter) and JT Waldman (Not The Israel My Parents Promised Me) celebrate the life and work of comics pioneer Harvey Pekar with his widow, writer Joyce Brabner.

SUNDAY

11:15 P.M. Rick Parker Drawing Workshop. Rick is an incredible teacher and can teach something new and interesting to people with no experience to total masters of the craft.

12:15 P.M. “To Run a Comic Shop”: Alex Cox (formerly of Rocket Ship, now with CBDLF), Tucker Stone (Bergen Street Comics), Thor Parker (Midtown Comics), and Gabe Fowler (Desert Island), will tell stories of comic shop retailing.

5:15 P.M. Animation! Every year the show’s ending panel is cartoons from folks also involved in comics. This year the two main features are Devin Clark of Ugly Americans and Aaron Augenblick, whose studios has worked on Super Jail, Ugly Americans, Wonder Showzen and some awesome shorts.

More Personal Movie Memories (from my working days)

Here I continue my movie memories of films I have worked on based on recollection and an old resume I found.

PRESUMED INNOCENT: I hadn’t noted this before but on all the films I worked through my teenage years my father came to set with me, which was actually a requirement. You had to have a parent and/or guardian with you. You could come by yourself as well and have a parent sign out entrusting you to the set, but my father and I had a great relationship and he got to vicariously live out his own dreams through me. What else was he going to do? He had been diagnosed with Parkinson’s when I was 10 and my mother was the breadwinner, much more dedicated to working. I think my dad loved getting to spend all that time with his son and getting to see me do my thing on a set. I know he must’ve gotten a blast over the fact that me being so gregarious, easy going and brave almost always wielded me time with the stars and/or director of the film instead of just sitting around with my fellow extras and the production assistants. On this film I took the opportunity during the amazing super spread lunch to go up to Harrison Ford and get some amazing face time. He ended up inviting my dad and me to sit down with him for lunch and proceeded to tell me stories and such. It was actually a truly great experience, not the greatest one I would have on a set, but a truly good one.

THREE MEN AND A LITTLE LADY: The scene I worked on was right in the beginning of the film at South Street Seaport. It was shot very quickly and there was practically no down time. I don’t remember getting meet Tom Selleck at all, or Ted Danson, or even Steve Guttenberg. I’m not really sure how that’s possible, but I have no memories of meeting them, just seeing them working on the set and filming. I did get to meet Ted Danson many years later though in an even cooler situation. His daughter was taking a tour of my college and he decided to come sit outside the student lounge and just relax. Back in college if I wasn’t in class or shopping that is where you’d find me. My home was too far away to go back to in between and the lounge was a chill place. I noticed Ted and we just got to talking, him asking me questions about the school and such and then just proceeding to other topics. I got to see Danson one more time after his daughter decided to attend the school and he was picking her up and he remembered so we talked some more. I’ve had other interactions with him since, related to other friends and acquaintances connections to him, but I still have yet to meet Tom Selleck and unfortunately not even Steve Guttenberg, who I freaking LOVE.

PRINCE OF TIDES: This was one of the only experiences of a film set where I felt such hate and animosity. Barbara Streisand obviously didn’t care about the extras and broke many Union rules. Our “trailer” was a bus with no air conditioning, our lunch were tuna salad sandwiches or peanut butter & jelly, both which had melted sitting inside the hot bus. We were kept waiting hours on end. I almost left this film out, but I decided to keep it in since I have those horrible memories. It has soured me to Streisand ever since. I wouldn’t mind getting a chance one day to be proven wrong.

THE PICKLE: I played an alien in the movie within a movie part of this production. My mom was Isabella Rosselini and she was a wonderful woman. Such a beauty to be around. Working on this film was an amazing adventure. I got to hang out with Donald Trump, Little Richard, Meg Ryan. I got a lot of life lessons from director Paul Mazursky. My mom hit on star Danny Aiello. She wasn’t really hitting on him as my dad was there too, but it made her day to flirt with one her favorite actors. I got to spend a lot of time with Aiello too. It was awesome. I also got to hang out with one of my regular extra buddies, Mario Bosco, who I’d done film work with before and would again. You might know him from The Hard Way and/or Maury Povich, Jimmy Kimmel, NYPD Blue, etc. This was just an awesome experience.

A BRONX TALE: Equally this was another amazing experience. Mario was on this set with me and the two of us spent a lot of time with future unfortunate convict Lillo Brancato. I had another friend of this set who also was with us a lot. Lillo brought some of his girls around the set so I got to have a temporary female to neck with. A lot of my time was spent talking to Chazz Palmintierri for hours on end as DeNiro as a first time director would take hours on end to set up a shot before filming. I got to learn how to play poker from some legit mob guys as well. I was amazed when I met Joe Pesci and I felt like I stood a foot taller than him. It was probably just an inch or two, but I was 16 and felt short at the time and he was Joe Pesci. DeNiro was a fascinating figure, but he really is as quiet as everyone says. Unless when it’s one on one and then he talks as much as anyone. I would not replace my time working on this film with anything I think.

A few more movies to go, but this is a good place to stop on memory lane for now I think.