2017: A Look Ahead

2016 is near its end or it’s over based on when you read this. It was a rough year in many respects, but it gave us a ton of excellent pop-culture. 2017 as of now promises to do the same. There’s SO much to look forward to. To list it ALL would take forever so I thought I’d just focus on a few things here and there.

NETFLIX is hitting hard with a multitude of shows debuting or returning. Amongst them:
Degrassi: Next Class Season 3 – Available January 6, 2017.
A Series of Unfortunate Events: Season 1 – Available Jan. 13
Santa Clarita Diet: Season 1 – Available Feb. 3
Marvel’s Iron Fist: Season 1 – Available March 17
Sense8: Season 2 – Available May 17
Wet Hot American Summer: Ten Years Later- Date TBA

In terms of Network television I can highly recommend the 12th and final season of BONES on FOX premiering Jan 3rd. I’ve seen the first three episodes and they are very hard to comment on without spoilers, but plot twists, reveals, robots and one of the greatest actors of any generation Hal Holbrook are involved.

The reimaginging of the L. Frank Baum saga by Matthew Arnold finally happens with David Schulner (creator of Do No Harm) and so far poorly reviewed but keeps getting work Tarsem Singh at the helm. If anything NBC’s Emerald City looks like it’ll be definite event TV or fail drastically and get cancelled before all 10 episodes even air. One or the other should be fascinating to watch.

legobatman

In terms of films I’d have to say LEGO BATMAN MOVIE is high on my anticipated list. Sure it’s not by the actual writer/directors of Lego Movie (they’re busy making Lego Movie 2) but it has a good pedigree and every teaser and trailer has me excited.

I’m also intrigued by Christopher Nolan’s Dunkirk. For his first follow-up to Instellar to be a WWII flick is fascinating. It’s also his first SOLO project since Inception as brother Jonathan was busy creating and developing the excellent Westworld. Equally fascinating is the amount of work put into this film. It’s not a remake of the late 60’s film, so it’ll truly interesting to see what stories Nolan chose to build upon to coney emotion, gravitas, and character even when the lead character is still the operation and Dunkirk itself (the film was actually filmed there).

Also pulled in by the adaptation of Dave Egger’s The Circle with Emma Watson and Tom Hanks. James Pontsold makes visually enticing, perfectly paced films and chose the easiest and simplest yet not simple Eggers novels to turn into a film.

There’s a ton of amazing video games coming 2017 too but this site is still without an XBoxOne or PS4 so the focus is on PC games but those that will not require a $5000 rig to run.

First up on the excitement board is Full Throttle Remastered the next rebuild of the classic Lucasart’s games designed by Tim Schaeffer which Double Fine was able to get the IP rights back for. I’m really curious to see how they update some of the worse parts of the game like the combat and the maze puzzles. I’m not completely sold on the art actually but I’ve been happy with DF so far, so I’m in.

Telltale Games’ The Walking Dead Season 3: A New Frontier (First Chapter out, but the rest hits 2017) is awesome. I already reviewed it and I’m excited for the rest.

thimbleweedAlso excited for platform point & clicker A NIGHT IN THE WOODS.
Third person action adventure co-op player TROLL AND I.
2-D Shooter with old school animation CUPHEAD.

and most especially, Ron Gilbert, Gary Winnick, David Fox and teams’ THIMBLEWEED PARK, the pixel point & click dream of a game I think many thought Broken Age would be. I loved Broken Age, always will, but Thimbleweed Park is looking bigger and better then I ever imagined it could be. I didn’t get to back when I wanted to, but I wouldn’t been able to back what I wanted anyways. This is probably number one on my experiences for 2017 I look forward to.

There’s a share of BOOKS coming out as well.

First up two genius female writers tackling heroes from Marvel and DC.

Shannon Hale (with Dean Hale) does The Unbeatable Squirrel Girl Meets World and Gwenda Bond comes forth with a third in her awesome Lois Lane series with Tripleflaminglips Threat.

There’s a really cool STEVEN UNIVERSE ORIGINAL GN coming out called TOO COOL FOR SCHOOL by the show’s co-creator Ian Jones-Quarterly, Jeremy Sorese, Asiey Barbie and Josceline Fenton

Michael Crichton’s never before published posthumous novel DRAGON TEETH comes out May 23rd. It’s a Western during western times but about dinosaurs!

Neil Gaiman ventures into both old and new territory retelling the tales of Odin, Thor, Loki and more in NORSE MYTHOLOGY scheduled for February 17.

George Saunders first ever complete novel, LINCOLN IN THE BARDO comes out February 14In music I’m mainly excited for one album.

The new The Flaming Lips titled Oczy Mlody. AFAIK I believe I’m seeing them live in March as well so that makes 2017 awesome.

Amnesia Fortnight Follow-Up

With almost a week and a half of work done, over nine days days of streaming footage, six documents of daily work edited by the team at 2 Player Productions and many many Double Fine forum and tumblr posts with concept art, music, programming and development discussion I felt I’d do my own quick personal viewcap on the Double Fine Amnesia Fortnight. This is for myself, the Double Fine team, the people already as invested as much as I am in the progress and those who have not yet joined in and can still do so within the next two days or possibly longer.

The breakdown will be by games and my own insights and reflections.

AUTONOMOUS: Not long into the game I came up with calling the production team of this prototype PETTY CROOK. This being a what I thought a clever combination of Project Lead Lee Petty, and Lead 3D Modeler/Artist Ray Crook. While equally the team could also be called “MOO-AR PETTY CROOK IS SOULLESS” to add some more team members in to the name, that leaves out the awesome music guy Camden Stoddard, programmer Oliver Frankze and all the rest of the excellent team working on this, so…
AUTONOMOUS is A Petty Crook production…

That music by Camden btw is amazing, but is also the only music that can’t be heard outside of the twitch.tv or downloadable 2PP eps as of yet. That’s okay though as added to the Humble Bundle has been a soundtrack and as each prototype has been given it’s own cues and original music this soundtrack itself will be worth being in the bundle grip.

Brad Muir has truly been the star personality wise of this whole deal, between his recording of the Jersey bot for voices and jokingly, but not completely stating the game sucked (as it exists at the time, because the bots were just being dumb, so it became some fun to mess with, but not fun to actually play). Still I understand why so many want to to play. I personally kind of just want to mess around with it, and feel it’ll need to prove itself to me in knowing my final goal.

BLACK LAKE: Levi Ryken’s sketches and concept art are still the most top notch part of this game. Of all the games this is the one I’d want a collected concept art book

(speaking of concept art book… Double Fine actually will finally have one soon. That will be the BRUTAL LEGEND art book. It is in the current PREVIEWS Catalog in a full page spread from UDON, and comes out in February.)

I’m also really enjoying how this game is coming together, the idea of scanning for smells and sounds and then following clues to your next spot in the tracking of an animal while also trying to avoid enemies really sound intriguing for a game that from a gameplay standpoint was the weakest at first and now seems conceptually the best.

In terms of music we know that Dax Tran-Caffee has recorded accordion parts for a mechanism of gameplay which I can only assume shall also come into the actual soundtrack as well and that makes me assume that the Doublefine employee who brought him in Brent Andrew Shinn is also recording some original guitar pieces.

HACK N SLASH: While the concept art for Black Lake blows me over, especially the early sketches, it’s the final look of Hack n Slash that is really calling me. Mark Hammer’s final version of the protagonist is awesome, but even better is the work Razmig Mavlian has put in. While inspired by Zelda he’s created his own awesome background that would work well as prints, wallpapers, or whatever. Raz also did the utterly awesome logo.

I’m still unsure completely n what the game playing will be like. I’m intrigued by the ideas originally presented and seeing how they finally find their way into the prototype and how easy or difficult they’ll be to understand.

On the music end, Paul O’Rourke has outdone himself creating as of now three amazing sketches that invoke an old school feel yet at the same time being completely modern. They really should be heard and along with Camden’s tracks will make a seriously awesome soundtrack.

SPACEBASE DF-9: This actually coming together in a way that I’m actually interested in seeing the final product. While many were excited by the concept alone it has taken seeing how much work has gone into it to make me want this as much as everyone. From the choosing jobs for your individuals to the fact that Bagel is doing sitting and eating animations to the Facebook style status updates it all looks really nice.

I get a vibe of them really trying to find a way to make this gameplay that for a sim that allows even the biggest sim hater to appreciate. I really hope they pull it off, because I always had issues keeping my excitement with things of the ilk.

In terms of music, I’m really impressed by what Chris Remo has put together. It’s very atmospheric, it has the most feel of being something you’d hear in a TV show instead of a game actually.

THE WHITE BIRCH: The platformer is coming together really nicely. We’ve seen her leaps on ledges, run across a bridge, climb ropes, and all in an almost finished 3d character. Over these last two days they should be able to accomplish a lot and make something that feels like a really complete minigame that if expanded could be even crazier and wild.

The only thing I don’t think we’ve seen yet is how the original idea of different prizes from climbing the tree and different pathways causing multiple playthrough has been implemented or if possibly scrapped for this prototype, only trying to prove Double Fine could make a working 3D platformer that was fun and innovative.

In terms of music, long time adventure game video game design Brian Min is really outdoing himself. On stream we saw/heard him recording live. Of all the music folks at Double Fine he’s the one I’d want to interview most. His sound career goes back to the days of Sierra at its limelight till today at Double Fine and I’m sure he has great stories. Even if he told them in instrumental musical pieces. Btw, listen to some White Birch suite.

In conclusion, as I finished writing this the Monday Standups have begun on the Stream, which is fun stuff to listen to if you’re fascinated with production like I am.

We’re heading to the end of the Fortnight here, but these next two days will be long and exciting, so hop on board while you can!