New York Comic Con 2012: Day 3

I made sure to be at Con super early to ensure myself a ticket from Mattel for the Dolph Ziggler signing. I ended up handing my ticket off to someone else in the end, but that’s another story for later on in this adventure of paragraphs.

After taking advantage of the show floor opening at 9:30 I walked around a bit to see what new if any freebies or swag was on the floor different from Friday and there was some, but it wasn’t long before I found myself heading down to the “basement” level for a special Disney Interactive session.

It was quite exciting to hear Warren Spector talk about Epic Mickey 2, as well as the Epic Mickey 3DS game. He showed off lots of screens, details and video footage not shown at San Diego, although most of it was shown at PAX probably. I’m going to take advantage of assets and memory to write up some details on the game from memory as my camera seems to have eaten the footage. This was the only thing my camera ate actually, but I remember most of what was discussed so I should be okay. I got a little hands on too, and that’s cemented in my brain.

After Epic Mickey 2 I rushed over to the Press Room for Bruce Timm and Andrea Romano. Those videos will be up within the week, but bigger and more exciting than hearing them discuss Batman: Dark Knight Returns Part 1 and 2 was the announcement of SUPERMAN: Unbound, based on the Braniac story by Geoff Johns and Gary Frank and JUSTICE LEAGUE: FLASHPOINT based on… well Flashpoint. I don’t know how they can even tackle Flashpoint in any fashion, but based on how well they handled the equally deft The New Frontier by Darwyn Cooke I am actually excited by this prospect.

Next up was my scheduled interview with professional wrestling’s Booker T in celebration/promotion of his book From Prison to Promise. I asked him a few what I felt were hard-hitting questions although they didn’t really get hard-hitting answers exactly. Informative answers though and great material for my forthcoming review. Got a photo with the man as well so very chill indeed.

At this point I went to get online for Dolph Ziggler even with the signing an hour away. I felt even though it was ticketed, an hour was enough. It seriously was not enough. Not even remotely enough. Fans had started their OWN line unguided by security or Mattel and they’d started it around 11 or 12. Who knows, but it was long and many folks in it didn’t have tickets. Many did, but still… it was a huge clusterfuck in the power of Mattel not knowing what to do and having to wing it, staff being understaffed and security being completely useless. There were other moments I noticed like this on the floor for lines I didn’t plan to be on, but could still see a lack of control or logic. The con has had lines like this happen in the past, but this year they were just completely unprepared to deal with them.

As I said earlier I ended up giving up my ticket for Dolph, but I did get a good shot of him from the line. It wasn’t like they were giving something away and this wasn’t like the Booker interview where he MIGHT remember me, so once my Facebook photo upload finished to get the exclusive He-Man shirt, after waiting maybe 45 minutes if not more I left the line and headed down to the panel room.

Once down there I had to make a choice and I ended up going to the Ned Vizzini and Chris Columbus panel where they discussed and detailed their upcoming book House of Secrets. That was really fun and I knew I had to go to their autographing session to grab the sampler.

The other panel I wanted to go to at the same time was King of the Nerds with Robert Carradine and Curtis Armstrong. Since I didn’t get to, I at least got to meet them, shake their hands and get a signed photo print, a photo, fake glasses and an iPhone case. The Columbus/Vizzini signing was in the same line right after so I procured my sneak peek and then got on line for Brad “Cheeks” Bell, Sean Hemon and Jane Espenson of HUSBANDS. In my preview of NYCC I showed off again my photo from last year when Cheeks and Sean gave me a kiss. They both remembered and loved how much weight I lost and my new short hair, but Brad said that I had no expression in last year’s photo and he was right. So I over compensated this year.

Next up I went to the Remember Me panel and stayed up until they started showing footage I’d already seen. Actually the new footage to me was the combat and combos system, and of course discussing the development of the game and seeing all the great assets and concept art. I ducked out though once I felt like I was sufficiently educated and luckily they did the T-shirt giveaway at the beginning instead of the end. I went from there to the panel with the heads behind Mondo Media, Simon’s Cat, Shut Up Cartoons and Cartoon Hangover. The Cartoon Hangover stuff were shorter clips of what I saw on Friday night, but the Mondo Media sizzle reel was awesome as was Shut Up Cartoons. Three of these four channels are part of the new Youtube Animation network and they’re all awesome.

From there I went to the the special party sponsored by Samsung, Legendary Pictures, Nerdist and Comixology at SLATE. It wasn’t exactly my scene, even though the DJ was awesome. I only saw two people I knew even and one of them works at Legendary. There was free food though so that was awesome. It was just sliders and chicken fingers, but it was a good spread and a good end to my most eventful and busiest day of NYCC 2012.

New York Comic Con 2012: Day 2

I had many panels laid out for myself to hit, but I also knew that I also had press sessions this day and Saturday, so anytime not in one of those would be the only time I would have to actually be on the show floor itself, so I took advantage of that and hit the floor hard.

This meant visiting The Block and checking out vinyl toys and one off exclusives I couldn’t even begin to think of buying, but I took my share of photos and had conversations. Got a sketch from Australia’s Sekure D which was pretty sweet. I really liked Ron English‘s big statues he made to have shown off at the show as well. What was really sweet was seeing some of the art from Spoke Art, especially the work from there Wes Anderson art show Bad Dads, where they had prints from both this last year and this year’s show.

The Block is next to where all the super expensive autographing of wrestlers, playboy bunnies and pornstars who aren’t actually guests of the con are located, so I got to see Brutus Beefcake, Tito Santana, and Greg Valentine whoring themselves across the aisle from the real Delorean and 1960’s Batmobile with a fake Marty McFly. Nearby was Shifty Look who had an old school arcade set up which was pretty cool. This was near the Podcast arena where I got to say hello to Keith R.A. DeCandido and next to him The Chronic Rift‘s John S. Drew who I haven’t met in person before but have talked to online. I also stopped in the Fandom Dating booth and got to talk to the site’s runner/owner. I had a feeling I wouldn’t make it to Sci-Fi Speed Dating during the show so at least being registered on that site might make something happen, although I’ve gotten two totally Spam or just “Really? Why would I respond to you?” things from it and the one person who caught my interest responded with such a blah response I didn’t follow up. The sites still in beta though and the NYCC was a big part of building the site, so we shall see.

My interview session with Red Bubble was rescheduled through txts while walking the floor so I made my way over to their booth. It was completely a thrill to learn more about the site and this is another one of my specific articles coming up with pictures and more, so I won’t say more now.

I had a little time to kill at this point and also bumped into a few friends on the floor just walking around, so I took advantage of this fact. I made my second purchase of the show around this time in THEY LIVE Collector’s Edition Blu-Ray. Shout Factory, the distributors had it available for $25 and almost a month before release to retail so I just grabbed it since it’s something I’d buy in stores eventually anyways. After this I made my way over to Artist’s Alley for my first of two trips as there was lots of aisles in Artist’s Alley in the very large North Pavilion. While there I got to at least say hello to my good friend Laura Lee Gulledge and become a member of the Molly Danger fan club, Jamal Igle’s awesome project he’s working on.

Somewhere in this time I also made it over to Scott C.’s table in Autographing to pick up his new book The Great Showdowns, which would be purchase three of four, for those counting along. I had worn my Double Fine Adventure shirt specifically hoping a few folks would notice, but mostly Scott. I asked him to draw rejected versions of the two protagonists from the still codenamed REDS in a showdown inside the book.

The most exciting time I had on the schedule for the day though was getting to sit with Mary Lynn Rajskub, Hank Harris and Jamie Clayton, the cast of the transmedia program on rides.tv from Fourth Wall, DIRTY WORK.  It was great to sit down with them and discuss working on the show, some behind the scenes and questions that haven’t really been covered, but mostly it was the meeting them that was most awesome and now having an excuse to promote the show even more than I was doing so before. I want more episodes and so does the cast, they really seemed to enjoy being part of this production.

After the press room I had a few hours to kill till I had to get my opportunity to interview Nick Kroll, so back to Artist’s Alley to try and finish it up knowing that I might not get back there Saturday or Sunday. I saw a couple of Cosplay’s that really caught my eye, most notably BATTLE POPE. I also made my final purchase, number four if you forgot from a few paragraphs above. It was the collected edition of ACE KILROY Volume One. When the collection first appeared on Kickstarter it really caught my notice, but at pledge rate it was going to run $40, a bit rich for my blood at the time. I am very happy and feel fortunate that the guy’s had a very successful Kickstarter (200% funded) and that the collection was at the table for $10. I snatched that right up! Can’t wait to sit down and read it.

Finally I headed back to the Press Room area which was located in the back of the Que Hall C used for letting folks into the building in the morning and the IGN theater after that. It’s what feels like a three block walk on paved concrete designed for cars and planes, not feet. That press ran a bit long, ending up at a table that was next to last in 15 minute roundtables. Yet I had lots of fun and got a great video which also features John C. Daly and executive producer John Levenstein.

It was more floor walking after till I decided to check out Scott C.’s Unbound stage talk where he went into further details behind the history of The Great Showdowns. The highlight of it all though was that during the Q & A Scott draw the questioners portraits. Yes, that means I have a quick sketch portrait of myself by Scott C. It’s a big large though, done on 11 X 17 paper.

I went over to the Titmouse panel after this and had gone to try and get some giveaways (I only wanted the coloring book actually), but as I was sitting there watching the sizzle reel I remembered that there was a Bravest Warriors/Superfuckers party down at Jim Hanley’s and so I rushed down there and while I was late, Nate, marketing director at Frederator had them reloop the Bravest Warriors episode, which ended up being the full version, which is not what was shown the next day at the panel. I also got some awesome buttons. If you aren’t subscribed to Cartoon Hangover, go do so now!  Also, at the Titmouse panel I did at least discover that this awesome music video directed by Mike Judge of Zac Brown Band animated by Titmouse existed.

Thus ended my second day at NYCC and boy was I exhausted!